No description available.

No description available.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

No description available.

No description available.

A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.

A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.

Tony Curtis, the man who influenced Elvis Presley and James Dean. A sex symbol, a matinee idol, a powerful and magnetic actor, Tony Curtis was the original movie star.

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

By asking the same question across generations of Southern Chinese in the UK, this film documents a vignette of two recent Hong Kong immigrants and reflects their own socio-political conditions through their conversation.

The rock-wild youth of the 1960s during the apparitions of their idols.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.