In a small town in the North West of England a vagrant serial killer is stoned to death by a gang of teenage vigilantes wearing white hoods. He then rises from his grave in the woods as a zombie a year later to gorily kill the vigilantes one-by-one!

Set in the dark depths of a strange and mysterious power supply complex, ELLIOT tells the tale of a conflicted humanoid (Elliot) struggling to maintain his reality and understand his true identity. Elliot is thrust into a disconcerting downward spiral of despair in which he is forced to recognize the perils of his own cognition and constructed ideals in a crumbling universe where the lines between fantasy, simulation, and reality are blurred, and the fibers of Elliot’s fragile existence are ruptured.

The millionaire Nikos Karamanlis (Andreas Schnaas) and his family are on a boat trip, when they get into a storm, in which the daughter dies and the yacht sinks. After days without food on a life raft, Nikos needs to eat the corpse of his wife and daughter or die. Later, a group of vacationers arrive at a remote island where Niko had made his home. Now insane and craving flesh, Niko Begins to pick them off, and a few of the survivors try to fight back.

For years, the infamous Blackwood Forest was terrorized by the Camp Blood Killer. Now, the killer is back as a vengeful spirit seeking revenge from beyond the grave.

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The story of a high school girl and a certain part of her body that has turned into a monster. A horrifying and erotic story from the mad mind of Noboru Iguchi (THE MACHINE GIRL, KARATE ROBO-ZABORGAR).

The 3rd installment of the thriller series in which immortal human weapons and hunters attack. A secret work of a certain country aiming to capture a hunter is activated. The genius murderous demon, Kyumon, who directs the operation, drafts a plan to trap the hunter. Ayano, a gravure idol, is chosen as the "bait"...

After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.

Greek horror‑thriller and SOV remake of Maniac, set in late‑’80s Athens. Angelos, a seemingly mild‑mannered window‑display mannequin maker, is haunted by grief and obsession. After crafting a doll in memory of his beloved wife, he spirals into madness—strangling sex workers along Sygrou Avenue and fashioning mannequins from their corpses as twisted trophies.

Join John Polonia and Matt Satterly as they head to the shore for a few days of booze and babes! Little do they know a sadistic killer with a sharp knife is tagging along, leaving a trail of bodies in his wake. What is the terrible secret behind all the slayings?

The employees of The Beach Hotel plan to strike when they learn that the hotel is for sale. The manager and his secretary try to smooth things over with the staff and keep the business running normally while an executive arrives to give the hotel a once-over before his company considers buying. Throw an escaped lunatic with a grudge into the mix and one by one the employees are dispatched...or could the killer be someone else?

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.