Two disparate strangers, a Gen Xer and a Millennial, form an unlikely bond on a rooftop after both experiencing traumatic situations.

Artist Pietro Leoni is preoccupied with feminine beauty. While walking near an old castle in Italy, he sees a young woman dive in the water from a rock and becomes determined to sculpt her from memory. He rents a house near the spot and falls in love with the mentally disturbed daughter, Francesca, of the castle's owner, W. C. Hutton, while becoming involved with her sister, Marisa unaware of her identity.

Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.

Camila, a young aspiring and struggling illustrator, meets Madison, a teenage girl, when Camila is hired by Madison’s (very) wealthy family as her tutor. Unlike Camila, Madison is confident, popular, and has never experienced rejection. Though Camila initially dismisses the teenager as vapid and out-of-touch, they connect over their struggles as artists. Camila becomes seduced by Madison’s can-do attitude and naïve drive. The short interaction ultimately sparks a new fire inside Camila.

Arthur Egeli directs this multifaceted romance set on the beaches of Cape Cod, the story of young painter Steven Buchanan (Pablo Bryant) and his interactions with three beautiful women vying to be his muse. There's Melissa (Isabelle Dahlin), the student who admires him; Theresa (Jessica Brytn Flannery), the model who inspires him; and Mary (Aleksandra Kaniak), the fellow artist who transforms him.

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.

Crystal, a wealthy, scorned woman living in a massive Egyptian palace with her daughter Magda, finds commiseration in a dried-up Hollywood expat who surrounds himself with singing children.

Dedicato al mare Egeo is a forgotten and bizarre co-production produced between Italy and Japan from 1979, starring the famous Italian porn star Illona Staller (Cicciolina) and directed by the famous Japanese pinter, printmaker and novelist Masuo Ikeda (1934–1997) from his own script based on his novel “Ege-kai ni sasagu”, for which he won the Akutagawa Prize, the most prestigious literary award in Japan. Ikeda’s vigorous artistic activity even included screenplay writing and film directing. With this movie, Masuo Ikeda has undoubtedly left his mark on the ’70s Italian skin cinema.

An artist is plagued by nightmares of a love triangle and murder. A psychic says the dream figure is his brother, a "troubled soul" from an ancient past life. Nearly born as his twin but miscarried, this past life rival now breaks through in nightmares in attempt to repeat history.

Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]