The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.

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A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.

The Athos peninsula in Greece is one of Europe's last secrets. Over 2000 monks live on Athos - cut off from the outside world. Access is denied to women, tourists are not welcome. Only workers and pilgrims can obtain a visa. The "Autonomous Monastic State of the Holy Mountain" attracts people who feel like they are missing something from their modern lives. With the help of three Athos monks, "Athos - A Taste of Heaven" tells the story of the island and its inhabitants in a unique filmed diary style. The film's guiding theme is the path we as people have to find and follow - each and everyone for themselves. "First we must heal our own souls, only then we can help others", is one of Father Galaktions core messages. He lives as a hermit on the holy mountain. Not all monks, however, live as secluded and demure as Father Galaktion. The film team is also received by Father Epiphanios - a gifted and poetic cook who certainly does not disdain the pleasures of life.

Behind the scenes of the filming of a film on climbing a cliff by Patrick Berhault and Georges Unia on the parishes of the route "La Tête de Chien" in Monaco. Director Laurent Chevallier explains the difficulties of filming at height, the kind of shots that are suitable and the specifications of equipment suitable for filming on a cliff.

The traditional healers in the Swiss and French mountains.

An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.

The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.

Seventy-five years after Brad Washburn, one of the greatest aerial mountain photographers of all time, first shot Alaska’s Denali Mountain from the open door of an airplane, climbing buddies Renan Ozturk, Freddie Wilkinson, and Zack Smith look at some of his mountain photographs and have this crazy idea. Rather than go up, their dream is to go sideways across the range’s most foreboding peaks, the Moose’s Tooth massif. It’s a fresh new way to explore the same landscape Washburn first discovered. As the group endures rough conditions, disintegrating ropes, and constant rockfall, their desire to be the first to complete the audacious line grows into an obsession. But friendships begin to fray when Renan suffers a near-fatal brain injury, forcing all three partners to decide what’s most important to them.

Is access to clean drinking water a basic human right, or a commodity that should be bought and sold like any other article of commerce? Stephanie Soechtig's debut feature is an unflinching examination of the big business of bottled water. From the producers of Who Killed the Electric Car and I.O.U.S.A., this timely documentary is a behind-the-scenes look into the unregulated and unseen world of an industry that aims to privatize and sell back the one resource that ought never to become a commodity: our water. From the plastic production to the ocean in which so many of these bottles end up, this inspiring documentary trails the path of the bottled water industry and the communities which were the unwitting chips on the table. A powerful portrait of the lives affected by the bottled water industry, this revelatory film features those caught at the intersection of big business and the public's right to water.

For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.

Portrait of Jean-Claude Droyer, a famous French climber and mountain guide. He is known for having participated in the rise of free climbing in France in the late 1970s. Trained at the climbing schools of Fontainebleau and Saussois, he distinguished himself in 1965 by solo climbing the Pentecôte route at Glandasse. He also made first ascents in the Verdon Gorges, winter ascents in the Prealps and the Mont Blanc massif, notably in 1971 the first solo ascent of the Directe Américaine on the west face of the Drus. The film was selected for the "Les Écrans Documentaires" festival in 2004.