Steve Martin's fourth NBC special was in the spirit of his previous association with Saturday Night Live. It was broadcast live from Studio 8H, produced by Lorne Michaels and featured some original cast members of the show.

From an ominous Lecturer, a small 1930s middle American community learns of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way, he receives help from his girlfriend Mary and Jesus Himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.

America's sweetheart Doris Day offers songs and sketches with some of her famous friends in this smash hit television special from 1975. John Denver and Day sing a few entertaining duets, and funnyman Tim Conway joins in on a couple of skits. Then, Rich Little impersonates some of Day's legendary co-stars, including Cary Grant, Jimmy Stewart and Jack Lemmon. Songs include selections from Love Me or Leave Me, Teacher's Pet, Calamity Jane and more.

Carol Burnett and Julie Andrews join forces for their third TV Special. Following the format of their first two specials, Julie and Carol: Together Again is an entertaining hour of comedy, song, and dance, featuring clips from their first performances together, an extended medley of 70s and 80s hit songs and even riotous a rap number!

Stand-up special featuring Melani Comarcho

In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.

When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin’ In New York." The show, taped at the Paramount Theater in Madison Square Garden and winner of the 1992 CableACE Award, is a perfect blend of biting social commentary and more gently-observed observational pieces.

Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.

This was the first of two one-hour musical specials which were part of CBS' 1968 multi-million-dollar contract with Doris Day's production company, a contract that Day insists to this day was negotiated by her husband and manager Martin Melcher without her knowledge. When Melcher died suddenly in April 1968, Day chose to go ahead and honour the contract, appearing in both specials as well as starring in her eponymous sitcom for five seasons, from 1968-1973.

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

Steven, a character from Alice Cooper's album “Welcome to My Nightmare”, encounters a surreal dream fantasy, guided by the spirit of the nightmare.

Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.