Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

Geng socialite mother; Lolita was a widow who became entrepreneurs due to expensive boutiques treasure Gono-gini ex-ex-husband, Anis rather an idiot, and Uut fat, often hold joint gathering costly. By the time the three get together, the mortal enemy of Lolita, Misye, while gathering brought a popcorn (the term to refer to youth aged bear) named Erik. Misye gaze is believed to be a challenge for Lolita, which eventually terkompori and with Anis and Uut, holding auditions looking for popcorn at the shop.

Yashima is a woman who works as a plumber. She is also uncomfortable with her own sexuality. One day she visits a home for a job and meets Kyu. Yashima senses Kyu's eyes watching her. They become intimate, but a dark secret is soon revealed.

After the death of his father, a 16-year-old boy struggles with anger and instability, distancing himself from his mother. His search for escape leads him to a lonely dominatrix living nearby, a woman accustomed to giving and controlling pain. Drawn to her world, he seeks both solace and love, while she finds herself pulled into a bond that neither expected but both need.

An accidental meeting in an elevator at a department store leads two older women to their limits and forces them to improvise by the time the elevator gets stuck.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

The male protagonist suffered an accident, causing his brain to be frustrated and amnesia, so he was used for special training. Not only was he spoofed to eat poop, but he even let him disguise himself as a woman and learn the voice of a woman, and this purpose was to let him sneak in. By the woman's side, she found her safe password and seized her property. Soon, the male protagonist met this mature and hot woman...

12-year-old Renato experiences three significant events on the same day: the beginning of the Second World War, getting a bike, and witnessing the arrival of the gorgeous Malèna. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed dead, and, through his soul, we see his love for her.

In a self-destructive slide, college senior Chloe navigates a tightrope that won’t let her go.

Tom of Finland is one of the gay world's few authentic icons. His drawings have had an enormous influence on gay identity. Tom's ultimate leather men are known and seen everywhere. They are symbols of gay pride and friendship. The documentary includes some titillating 'enactments' inspired by Tom's art work.

Shunsuke has fallen for his colleague Hinako, but she is engaged albeit in a long-distance relationship. She and her boyfriend meet on the odd weekends. She feels lonely at times. When one evening they are both working late and still in the office Shunsuke throws caution to the win, reveals his feelings, makes a pass and plants a kiss on Hinako. Things should make their natural progression from there if nature takes its course, but then again they chart a different course.