Based on the well-loved Australian classic by Mrs. Aeneas Gunn, this is the remarkable true story of Jeannie Gunn, a woman who fought to overcome sexual and racial prejudice amid the harsh beauties of the outback. Leaving her Melbourne existence for a new life on her husband's isolated ranch, Jeannie's feisty, good-natured attitude soon wins over the misogynistic stockmen, but she faces a much tougher challenge in trying to change their racist attitudes towards the indigenous aboriginal population.

The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.

In 2007 Cairo, a zoologist at a failing park witnesses the suffering of the animals he’s sworn to protect, and begins to see his own family mirrored in their captivity trapped by circumstance and yearning for freedom. When a wealthy visitor offers to 'adopt' surplus animals from the zoo, the zoologist is drawn into a wrenching moral dilemma that tests the limits of integrity, sacrifice and love.

A woman and her brother fly to New Guinea to look for a lost expedition, led by her husband, which has vanished in the great jungle.

Two dogs, Rowf and Snitter, struggle to survive in the countryside after escaping from an animal research laboratory. They're pursued by search parties and then the military after rumours spread that they could be carrying the bubonic plague.

When the gentle woodcarver Geppetto builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio, is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish.

A group of tormented patients stage a coup at an oppressive, dismal asylum after they're not allowed out on an excursion.

Teenagers Solomon and Tummler kill time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.

On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.

Hired at a slaughterhouse thanks to a social reinsertion program, an ex-convict struggles to find another job while repressing the violence that boils within him.

Mickey is playing Christmas carols on a standup bass for change. Alas, all he gets is screws, rocks, and other useless stuff. He plays outside a rich man's window, and the spoiled brat kid inside decides he wants Pluto. Mickey isn't selling, but when his bass gets destroyed by a passing sleigh and he sees a house full of orphans with no presents, he changes his mind. Mickey plays Santa to the kids. Meanwhile, the brat has been torturing Pluto; his father finally has enough and throws Pluto out and spanks the child. Pluto and Mickey are reunited, and as a bonus, the kid has tied the Christmas turkey to Pluto's tail. (Also included: Chip an' Dale 1947, Lend a Paw 1941)