
The Demon Code
Horror
Overview
After escaping from an asylum, a brutal maniac becomes obsessed with a young couple on a holiday. On his path of devastation, he maims and kills his prey by carving their faces out.
Top Cast


Bill Oberst Jr.
Bill Oberst Jr.
Bill Oberst Jr.


Jonathan Erickson Eisley
Jonathan Erickson Eisley
Jonathan Erickson Eisley


Andy Gates
Andy Gates
Andy Gates
Amanda Yael Eisley
Amanda Yael Eisley
Amanda Yael Eisley


Lisa Leonard
Lisa Leonard
Lisa Leonard
Similar Movies

When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.

When a series of unexplained events begin to echo across time, one woman finds herself at the center of a threat that refuses to stay buried. As the past bleeds into the present, she is forced to confront a presence that seems to follow her across lives, memories, and moments she can’t fully explain. DUSK is a psychological horror film that blends suspense and supernatural elements, exploring the idea that some darkness doesn’t end—it returns. Starring Laura Bailey (Critical Role), alongside Bruce DuBose and Todd Haberkorn, the film delivers a character-driven descent into fear, where survival means recognizing what’s been hunting you all along.

To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.

Born with an unusual defect that left her without a navel, she grows up feeling like she doesn’t quite belong. Her body and her being carry traces of something foreign, something she cannot understand. To escape this strangeness, she develops a fascination with watching — always the observer, never the participant. But when she encounters a man, her fear of closeness begins to give way, turning into obsession. Gradually, her watching crosses boundaries: from distance to intimacy, from desire to intrusion.














![[REC]](https://image.tmdb.org/t/p/w342/hgyJR4sgMsee6xMFM3xYiG6cDCh.jpg)

