In 1992, the Yugoslav army and Serbian paramilitary forces captured one-third of Croatia as the country was engulfed in a state of war. A squad of fighters is defending their position in the small but strategically significant village of Sunja, where the invaders have surrounded them on three sides. Ivan Salaj, a young and gifted director who was still enrolled in film school at the time, chooses to use their story as the subject of his student film. Considered one of the most important films from a period when Croatian independence was still at stake, it provides an accurate portrayal of life on the front lines. What makes Hotel Sunja even more special is that it was made by a group of students who risked their lives to make the movie.

Idealistic young man supports the party and the new Yugoslavia's communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what's right and what's wrong.

Leah Weiss, a Polish Jew, was first forced into prostitution at Auschwitz. Afterwards, she was victimized in medical experiments. Now, twenty years later, German war crimes prosecutors hope she will be their star witness. But can she stand up to the shame, the publicity, and the reliving of those experiences?

In late summer 1991, three Italians reach a hunting reserve in Croatia with a station wagon. They go to deer, but, unaware of what's in store for months, they do not decipher the enigmatic signs that surround them. One of the three is suddendly wounded in the knee by a bullet of unknown provenance, and they end up in a hotel targeted by snipers night and day.

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

A renegade team of World War II soldiers. This time, one of the 12 is a woman and, with a Nazi spy within their midst, they're up against German wartime geniuses out to establish a Fourth Reich.

After the war, a Yugoslav army captain, Vladimir, is in charge of suppressing armed supporters of the former king's regime, led by major Momir. After Vladimir's best friend is killed, he joins the rebels pretending to be one of the king's supporters. However, one of Momir's supporters, a man who harbors rebels, has an attractive daughter who is engaged to marry Momir. She knows that Vladimir is an officer of the Yugoslav army, because she has seen him wearing a Yugoslav uniform. Vladimir fears that she might betray him.

A corrupt village commissar insists on mounting a production of Hamlet. The clever local teacher, however, casts the son of a man framed for theft as Hamlet, and the commissar as the usurping king, leading to a climax of truly Shakespearean proportions.

The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.

Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.

They meet in Yugoslavia. Katharina, daughter of a Yugoslavian immigrant worker, has grown up in the Federal Republic of Germany. She is a confident, energetic career woman who has managed to work her way up to become a successful television journalist. She goes to visit her parent's country, to do a story about the children of immigrant workers in their home country. Although she says she doesn´t need a "home" any more, even she feels strange in her own country. Peter is a rather "untypical" sort of man: a dreamer, a thinker. He has given up his steady job as a composer for advertising films and is divorced. He goes to Jugoslavia to find something out about the past. He travels to the places where his father was stationed during the Second World War.