In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

"Beydler's magical Hand Held Day is his most unabashedly beautiful film, but it's no less complex than his other works. The filming approach is simple, yet incredibly rich with possibilities, as Beydler collapses the time and space of a full day in the Arizona desert via time-lapse photography and a carefully hand-held mirror reflecting the view behind his camera. Over the course of two Kodachrome camera rolls, we simultaneously witness eastward and westward views of the surrounding landscape as the skies, shadows, colors, and light change dramatically. Beydler's hand, holding the mirror carefully in front of the camera, quivers and vibrates, suggesting the relatively miniscule scale of humanity in the face of a monumental landscape and its dramatic transformations." -Mark Toscano. Preserved by the Academy Film Archive in 2010.

Song written and produced by Sokif Vocals by Calu (Matryoshka)

Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.

A short experimental documentary about love

A video sketch at Hayama's bed, situated in Bangkok.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Two brothers move silently through the mundane world, carrying an unseen offering of light. As they journey from place to place, dancing and observing, subtle traces of change begin to appear, revealing how quiet presence can shift everything.

Digital Smoke is an experimental meditation on light, memory, and distortion. Shot at twilight in Minneapolis’s Loring Park, the film captures the moment just after sunset, when street lamps flicker on and reflect across the lake. As Devereaux moves the camera backward and forward, fading light introduces digital noise. Rather than correct it, he amplifies the imperfection, layering light trails until the noise becomes ethereal white clouds—“digital smoke”—that dissolve the boundary between image and abstraction. Frames evoke the hazy textures of J.M.W. Turner and the pixelated aesthetic of early video games, blending painterly romanticism with digital fragmentation.