Chronicles the musical career of British post-punk art rockers Wire.

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

Achim Bornhak's movie focuses on the restless life of Uschi Obermaier, the icon of the 1968 movement in Germany and groupie. At the age of 16, Uschi is bored by her job in a photo lab, but soon becomes the "it girl" of Munich's club scene. When she gets to know Rainer Langhans, they move to Berlin and live in "Kommune 1", the first politically-motivated commune in Germany. While the other occupants claim she isn't political enough, Uschi just wants to have fun, works as fashion model and leads international music stars in temptation.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

"Acoustica" is a 2001 unplugged album by German hard rock band Scorpions. It was recorded during three concerts at the Convento do Beato in Lisbon, Portugal, in February 2001. It was a most unusual set for the band, as Klaus Meine comments on the DVD. The band was supported by backing vocalists, a percussionist, an extra guitarist and Christian Kolonovits (who had worked with the band as conductor and arranger on the Moment of Glory album) on keyboards. He also collaborated on rearranging the songs for the acoustic set. The band performed four new songs: "Life Is Too Short", "Back To You", "I Wanted To Cry" and "When Love Kills Love", which was released as single. All the new songs were featured on the DVD, while "Back To You" was not included on the CD. Acoustica also contains cover versions of songs such as The Cars' "Drive", Kansas' "Dust In The Wind" and the Queen hit "Love Of My Life".

The film follows a petty rock band called the Winners, consisting of vocalist Joey Winner, bassist Jennifer, guitarist Tyler, drummer Sam, and French-Canadian roadie Hugo, along with their sleazy manager Jeff, as they tour across Canada and the USA after Jennifer is turned into a vampire by Queeny. Meanwhile, a vampire hunter who is afraid of the dark named Eddie Van Helsing quickly chases them down.

3 Bats Live is a music DVD by rock singer Meat Loaf. Recorded on March 18, 2007 at London, Ontario during his Seize the Night tour, it mainly features songs from the Bat Out of Hell trilogy.

Stooge is a feature documentary about Robert Pargiter, Iggy Pop's No1 fan. It covers the three years leading up to his 50th birthday when he tries to track his hero down in a final absolution. His journey has taken him all over the world in search of redemption after years of struggling with addiction, of coping with depression, and of celebrating the communal lust that is Rock'n Roll.

In this documentary film, the final day in the short life of the guitar god Jimi Hendrix is reconstructed using theories swirling around a CIA hit list, Mafia debt, and police surveillance.