Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

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The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

YouTube musician and Korean American adoptee Dan Matthews travels to South Korea to perform and reunite with his biological family, including a long lost twin he never knew he had.

Grindcore punks Bamseom Pirates make music suitable for a sick society.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.

In our 3-year marriage, we have fought on every holiday, on parents' birthdays, during ancestral rituals, and even on Christmas. We argue all the time. The tension between my wife and my mother is killing me.

Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.

The public yearns for a hero who will solve the economic crisis, and MB bursts onto the scene. However, what made voters excited now makes them disappointed. How the then voters were seen from the MB’s perspective? A political documentary that makes people laugh and cry.

The church is the body of Christ. In Greece, the church embodied a philosophy. Then in Rome, it became an institution. Spreading throughout Europe, it became one with the culture there. Traveling to the US, the church became a business. And when it arrived in Korea, it became a conglomerate. The top five largest churches in the world are located in Korea. However, Christ has long been absent in the nation. So then, what is the church? Who is Jesus Christ? What kind of world do Christians want? If the church is indeed the body of Christ, then we must ask the questions point-blank. Where do we stand in all this? And where exactly are we headed? Korean churches—“Quo Vadis?” Korean society—“Quo Vadis?”