Goyokin

No description available.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

The story of the massacre of an Indian village, and the ensuing retaliation.

Return to al-Ma’in chronicles the multiyear collaboration between Forensic Architecture (FA) and Palestinian historian and Nakba survivor Salman Abu Sitta on the reconstruction of his birthplace, the lost village of Ma’in Abu Sitta (or al-Ma’in). Guided by the work and memories of Abu Sitta, FA-researchers reconstructed al-Ma’in’s occupation by Israeli forces on 14 May 1948, its subsequent demolition, and the settlements constructed on its ruins. The movie looks to the present moment and the connections between Israeli military’s conduct and appropriation of Palestinian land during and after 1948, and today in Gaza. The project looks back at the sophistication and sensitivity with which the Abu Sitta family cultivated their land, and the rich agricultural diversity that was lost when Israeli settlements were subsequently constructed over this landscape.

No description available.

A story about an adolescent years of Tyoma - a young boy from Russian countryside...

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Yonatan, Michal's dad, turned orthodox and left her family when she was very yang. 7 years later, when he appears at her mother's funeral, all the anger and tensions in the family are brought up again. Michal on the other hand, is very curious, and tries to find a way to communicate with her father. They find common interest in competitive swimming, a hobby that Michal picked up, and which her father, as it turn out, used to be a serious contestant in.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A princess in disguise, Oshichi launches an investigation to reveal the truth about the disappearance of young women in Edo.

When Ayumi Mastuda (Eiko Koike) worked as a freelance writer she met Chinese cameraman Gyoukou (Kingone Wang), who worked at the same publishing company in Tokyo. They married 5 years ago. After his employer's went bankrupt, Gyoukou and Ayumi Matsuda moved to Ishigaki Island. Gyoukou also decided to apply for naturalization as a Japanese citizen. In order to prove they are real married couple they have an interview at a local Bureau of Judicial Affiars branch. As the interview goes along, they find it more difficult than expected ...