Where the Spies Are

A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat.

Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.

An Iowa pajama factory worker falls in love with an affable superintendent who had been hired by the factory's boss to help oppose the workers' demand for a pay raise.

When laidback Greg finds himself at odds with his dad's outsized expectations, pressure builds to turn his act around. After a series of hilarious near disasters, Greg's dad presents him with an ultimatum that just might challenge his wimpy ways for good.

A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose lead we follow on this path between what is real and what we can only hope is surreal. His friends attempt to determine if he's truly a psychopath.

Desirée, a modern librarian with urban friends and interests is visiting her late husband's grave when she meets Benny, a simple farmer. After his mother's death Benny lives alone on the run-down farm, desperately seeking a woman to take care of him. In spite of their differences the two have the dream of finding that special someone in common, and fall passionately in love. Benny wants Desirée to move in with him and start a family as soon as possible. But being a farmer's wife is not something she is very enthusiastic about. Just presenting Benny as her boyfriend proves to be an embarrassing experience. And when she gets a tempting job offer in Stockholm she has to consider her priorities carefully.

Though she loves one man, an ambitious Palm Beach girl marries another, whom she thinks is rich. He turns out to be a fraud who thought she was an heiress. She returns to a successful hat shop she maintains catering to socialites. Her true love turns out to be in fact, a rich man who let her think he was not to test her.

In this feature-length film based on the "Flintstones" TV show, secret agent Rock Slag is injured during a chase in Bedrock. Slag's chief decides to replace the injured Slag with Fred Flintstone, who just happens to look like him. The trip takes Fred to Paris and Rome, which is good for Wilma, Barney, and Betty, but can Fred foil the mysterious Green Goose's evil plan for a destructive missile without letting his wife and friends in on his secret?

Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.

When New York attorney Gordon Hocheiser meets Louise Callan, the girl of his dreams, he schemes to eliminate his aging, senile mother, even though he promised his late father that he'd always take care of her. He fears that his batty mom's eccentricities will shortly lead to Louise's departure.

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.