
MATSUMOTO TRIBE
Comedy
Overview
Confident that he’s the next great Japanese thespian, Matsumoto Fighter and his manager roam the streets of Shibuya to promote him. When he finds out that up-andcoming indie director Matsunaga Daishi is holding auditions for his latest film, Matsumoto pulls out all the stops to get in. Director Ninomiya Ken began this project as a Borat-esque mockumentary about the desperate measures aspiring actors take to break into show business. But when Fighter and his manager push the limits of their unsuspecting prey a little too far, fiction and reality begin to overlap in disturbing and surprisingly violent ways. Will Fighter finally get his big break, or will his dreams come crumbling down?
Top Cast
Fighter Matsumoto
Fighter Matsumoto
Himself
Fighter Matsumoto
Himself


Honoka Matsumoto
Honoka Matsumoto
Herself
Honoka Matsumoto
Herself
Masashi Komura
Masashi Komura
Himself
Masashi Komura
Himself
Tatsuo Kobayashi
Tatsuo Kobayashi
Himself
Tatsuo Kobayashi
Himself


Takeo Kikuchi
Takeo Kikuchi
Himself
Takeo Kikuchi
Himself


Haruki Takano
Haruki Takano
Himself
Haruki Takano
Himself


Ena Koshino
Ena Koshino
Herself
Ena Koshino
Herself
Makoto Okada
Makoto Okada
Himself
Makoto Okada
Himself


Daishi Matsunaga
Daishi Matsunaga
Himself
Daishi Matsunaga
Himself
Similar Movies

Successful movie director John L. Sullivan, convinced he won't be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to "know trouble" first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.

Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.

















