What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

In the 1980s, a boy named Hajduk moves with his family from a small village to the capitol of Yugoslavia, where he's going to start spreading his way of honor and true values.

In the first year of freedom after WW2, a poor family from rocky Herzegovina moves to fertile province of Vojvodina hoping for a better life. However, there they face different type of troubles following the Tito's break-up with Stalin in 1948. Destinies of individual members of this family are about to have a tragic epilogue.

A partisan battalion who was surrounded from all sides brings up decision to enter the city, so that the fighters could rest and recover. Due to fear of one of the partisans, the enemy discovers their plan, but fails to sabotage it.

A painter gets infected by AIDS, and finds himself at disease clinic in Belgrade. He shared the hospital room with an ex-musician, junkie who tries to discontinue treatment and returns home to his wife. The painter believes in recovery through his paintings, believing that they have supernatural powers. In their room, the medics bring a boy suspected to be infected with the AIDS virus. Meanwhile, the musician's wife leaves him. Having desire for revenge, high on drugs and labile, he rapes nurse. The painter's health deteriorates and he dies. Shortly afterwards, the musician commits suicide. Only the boy remains in the room - a child of uncertain fate and in possession of dozens of "totemic paintings".

In 1944 Bulgaria switches sides and joins the war against Germany. The story focuses on the advance of the Bulgarian army through Yugoslavia and Hungary, as well as its internal struggles.

The tragic story of a group of prisoners, ordinary people, were detained in the camp at Lager in Naise at the beginning of WWII, after that mighty torture and abuse by the Germans, will try escape from the camp. A few succeeded.

A Yugoslav man, dying after being shot while attempting to help defend his village, writes a letter of encouragement and hope to his unborn child, explaining what he was fighting for in resisting the Nazi invasion of his homeland. A John Nesbitt's Passing Parade short.

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

A story of a boy, forced to grow mature before his time and to die too early because of the cruel war circumstances. This film is dedicated to all the children who have died during the National Liberation War.

In a post-WWII Yugoslavia still under Stalinist rule in the 1950s, six-year-old Malik is oblivious as to why his father, Mehmed, has suddenly disappeared. In truth, Mehmed has been sent to a labor camp as punishment for acts of sexual indiscretion involving young girls. Malik's mother, Senija, however, has no answers, and the family must cope in the father's absence.