A woman who is struggling with an overwhelming desire to consume human flesh brought on by a fascination with 70s Cannibal Movies struggles with her desires as she tries to continue her everyday life and control her inner hunger.

A mixed-up mountain boy kidnaps a pretty college student.

Do you remember? Last summer, Illinois was confronting a series of bizarre murders. At each crime scene, police found a sketch of a house which turned out to be the location of the next murder. But detectives couldn't identify the houses in time, and the murders continued, becoming more violent until someone recognizes the latest sketch as the old Wilson farm up in Monroe. As we open, a policewoman named Crawley is being interviewed by an unseen authority figure. She tries to remember what exactly happened at the Wilson farm. She explains she was patrolling in the area and went there quickly, intending to find out what the owner knew and get him out. Instead. . . what happened was. . . if only she could remember. . .

A young man attempts to complete a drawing as the world around him spirals into the nightmarish and surreal.

While going for a casual jog on bright yet cloudy morning, a young girl discovers the dead body of a teenager. But when she recognizes the face of the cadaver, she comes face to face with her own dark secrets.

After his nightly jog, Ramiro decides to take a shortcut on his way home. But he soon discovers that the shortest way is not always the best.

Unable to deal with her mother's death, Samantha turns to her drawings for solace. She discovers she is able to bring her drawings to life and attempts to bring her mother back. In doing so, she finds out the truth behind her mother's death.

An experimental piece that obscures the lines between nostalgia and the surreal.

When finishing a drawing, a man will face a real nightmare.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Five years after jilting his pregnant fiancée on their wedding day, out-of-shape Dennis decides to run a marathon to win her back.

A detective-mystery film based on the novel of the same name by Wilkie Collins, which takes place in the middle of the last century in Victorian England. The young aspiring artist gets a place as a teacher of painting on the estate of land-owner Fairlie, where his sisters Marian and Laura become his students. Returning home late in the evening, he unexpectedly meets a strange woman, dressed head-to-toe in white on a deserted road...