Still Dreaming is TXT's first Japanese studio album. It was released on January 20, 2021. It was released with an accompanying DVD with the music video for the Japanese version of 'Blue Hour' and the making of the music video with interviews.

A total of 17 journalists have been fired since 2008, the beginning of LEE Myung-bak’s presidential term. They fought against the companies that they worked for succumbing to power and are now frustrated at reality where censorship of the press by authority has now become a norm. Can they continue their activities as journalists?

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​

German filmmaker Susanne, married to a Korean man named Kim Jeong Rae, turns the camera toward her own intercultural marriage and family with both humor and tenderness. Blending vérité and performance, the film dives into the beautiful mess of love, identity, and cultural collision. Becoming Kim asks: How do we stay true to ourselves—while learning to love another?

The church is the body of Christ. In Greece, the church embodied a philosophy. Then in Rome, it became an institution. Spreading throughout Europe, it became one with the culture there. Traveling to the US, the church became a business. And when it arrived in Korea, it became a conglomerate. The top five largest churches in the world are located in Korea. However, Christ has long been absent in the nation. So then, what is the church? Who is Jesus Christ? What kind of world do Christians want? If the church is indeed the body of Christ, then we must ask the questions point-blank. Where do we stand in all this? And where exactly are we headed? Korean churches—“Quo Vadis?” Korean society—“Quo Vadis?”

Nearly 250,000 South Korean children were adopted to the West as “orphans” in the 60 years following the Korean War. Some to loving homes. Others to tragic ends. Raised in places where they looked like nobody else, many were told to forget their past and be grateful. But the innate desire to understand where you came from has led many Korean adoptees to search for their roots. In the process, they discover lies in their past and families they never knew existed. In this documentary series, correspondent Wei Du travels around the world to meet Korean adoptees and accompany a few on their journey to reclaim who they are. Together, they reveal how an “orphan rescue” mission separated families and erased the roots of hundreds of thousands.

South Korea's is facing a population crisis, with Seoul at the centre of it. The country’s capital remains the beneficiary of both internal and external migration. Instead, it is in the rural and peripheral areas where low birth rates and the aging population have become crises. The countryside is at risk of becoming extinct. As more opportunities and people get concentrated in Seoul, urban pressures have led to rising unemployment and cost of living. And when things get expensive, people do not have babies. Seoul now has the lowest birthrate in South Korea, in a country with the world’s most dire fertility. On the other hand, farms and factories in the rural areas desperately need workers. How can South Korea solve this population puzzle?

A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.

An animated documentary that speaks to immigrants' personal experiences living in Aotearoa, exploring themes of racism, discrimination, loss, loneliness, and maintaining cultural ties while living in another country.

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

My father led a coup in 1961. Two years later, I became the president's daughter.

Following a year in Cadance and Amanda's gender transition, this intimate documentary charts not only their personal transformation but the building of a life and community together in regional New South Wales.