"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.

The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.

The Story of the Amazing Live Sea-Monkeys is the colourful and surprising true story of a man named Harold von Braunhut; a man who could look at the humblest of creatures – the brine shrimp – and imagine an empire built upon it. Breezy, colourful short about a half-century of marketing directly to children, the force of nostalgia in pop culture, and an unlikely meeting of flimflam and hard science.

It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.

An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.

For one-night-only blood was spilled in the mud.

Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.