
Manuela
War · Drama
Overview
During the last days of the struggle against dictator Fulgencio Batista, a young peasant woman joins the guerrilla in the Sierra Maestra.
Top Cast


Adela Legrá
Adela Legrá
Adela Legrá


Adolfo Llauradó
Adolfo Llauradó
Adolfo Llauradó
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A study in contrasts set in and around Havana that explores Cuba's 1959 revolution: a young woman's fascination with the excess of an American-owned casino leads to her downfall in the eyes of her street vendor boyfriend; a tenant farmer revolts the only way he knows how, attacking the land he works; university students gain first-hand knowledge of political upheaval; and, in the hills outside the city, the members of a poor peasant family are patriotically swept up into the burgeoning revolt.

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

"This anti-Communism film uses animation to tell the story of two brothers, one of whom receives training for hemispheric subversion in Cuba and returns to his own country to spread violence and terror. He realizes his mistake when, in the course of trying to destroy an experimental farm, his actions bring about the death of his brother Gustavo. Produced by Copri International Films, Inc. (Miami, FL) and directed by Jose D. de Villegas" (US National Archives).
The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),













