A film-crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

A doctor takes in a mysterious man who washes ashore at her remote cottage with a gunshot wound. Quickly they both learn the killer has arrived to finish the job, while a storm has cut them off from the mainland.

The young Katelijne grows up in a strict Protestant peasant family. As the only girl between six brothers, she is hardly involved in farm work and is excluded from daily conversations. Hereby she lets her imagination run free by surrendering to Biblical stories, gossip and even fairy tales, although she is not allowed to read them. During her brother's wedding, however, she overwhelms her family with literature, saying goodbye to her childhood.

Goalie has just been released from prison after spending a year inside for keeping his mouth shut for his best buddy Ueli. He heads for his hometown of Schummertal, a small town where everyone knows you. He's going to start over, without drugs. Meanwhile, Ueli has gotten ever deeper into drugs, can't understand why Goalie suddenly wants to be a square. Although they've been friends since childhood, everything is different now. Goalie wants a new life but finds his past.

Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.

A nurse takes care of a patient in her house. Maria do Céu has been a nurse for more than forty years, working at an old Hospital in Lisbon. She was sixteen, when she arrived to Lisbon, coming from a small village in Alentejo. At the Hospital, she reads the file of an old patient who was also her friend. The file is then closed. Maria do Céu returns to her village, where she sings at the people’s house choir.

Erica has a secret relationship to the married Sebastian. When his wife Liv finds out, she decides to confront Erica over an evening of gin and tonics. Erica is soon being pushed to question what things in life are worth fighting for.

Sent to Afghanistan for 6 months, legionnaires Markov and Hamilton are caught in an ambush during an unauthorized expedition. Markov saves Hamilton, seriously wounded by rebel fire, but leaves the Legion without honors. Once back in Paris, Hamilton, convalescing, hopes to remain a legionnaire, while Markov, now a civilian and without working papers, tries to make ends meet with his son Khadji. Hamilton lends his identity to his Chechen friend, so that he can work legally. But one day, Markov disappears, leaving Hamiltion disorientated and Khadji alone in the world.

Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.

Two estranged brothers return to the family cottage after the death of their father. Over the course of three days they must learn to let go of the man they thought they knew, and accept responsibility for the men they have become.

An awkward teenage outcast finds unlikely companions in two elderly residents at the retirement home where she works.

A high school princess is cursed by the geek whose affections she toyed with.