In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.

On the way to pick up the bounty on a wanted murderer, a bounty hunter stops at a staging post where he is forced to continue his journey with two outlaws who want the murderer for their own reasons and a recently-widowed woman, with the murderer's brother and his men in hot pursuit.

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

Teenager Angus adopts a stray dog and names him Yellow. Several days later, while travelling along the coast of British Columbia with Angus's father, John, the boy and dog become stranded when turbulent waters capsize their boat. Angus's parents relentlessly badger rescue teams. Angus, schooled by his father in wilderness survival skills, and assisted by the intelligent Yellow Dog, tries to attract rescuers.

Wild Bill Elliot plays gambler Frank Graham, who heads to Kansas in search of his father's murderer. This being 1864, the local military presence is more preoccupied with keeping Southern sympathizers out of the state to worry about Graham's problems. Thus, our hero undertakes the task of exposing the killer himself.

Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.

Tough contract killers and secret organizations operating worldwide in a murderous battle for a relic that hides much more than just a simple instrument. The merciless hunt for the guitar of the "King of Rock'n Roll" leaves a trail of violence and death in its wake.

Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He's in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks's slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI's close pursuit of Banks, whom they want alive in hopes he'll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks's tough-guy armor. Guns, money, and a chance at Paradise.

A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.

A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.

Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.

Jai and Ali return, this time on the trail of an international thief who steals priceless artifacts and has chosen Mumbai as his next target.