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Tatsuo and Ikuo have been raised by hard-working parents who run a funeral home. For relief, they practice games of manzai, a Japanese comic vaudeville. Tatsuo grows up to be a handsome chick magnet, while Ikuo is nerdy and unappealing. He spies on his brother to get material for their reality porn show. The show is bleeped heavily, and their bleep language becomes trendy and makes them stars.

Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.

This is a story about a son who pursue his career as a comedian by forming a comedy duo with his demented father. "Kazuki, are you still doing comedy?" "Yes, I am. Right now!" The Abe family is a rice farmer in Nishikan Ward, Niigata. The first son, Kazuki is unemployed, living at his parents' house, and writing comedy plot everyday. One day, his father Yoji fell down from a stroke while he was practicing for the local comedy competition. While facing the severe reality of becoming a home helper to his demented father, his companion, Masakazu told him he is giving up on comedy. Struggling between his dream and the reality, childhood and adulthood, he decides to enter the competition as a comedy duo with his demented father. Can miracle happen on stage for the father who lost his memory and the son who finally made up his mind?

The popular comedy duo "Tarinai Futari" draws the curtains on their legacy in their final "manzai" performance.

Tobio Kurosawa (Ryuta Sato), who has been part of a manzai (stand up comedy) duo for ten years, finds himself in trouble after his partner Tamotsu Ishii (Yuji Ayabe) quits due to their declining popularity and mounting debts. Tobio then attempts to drink his problems away, but the next morning finds himself locked up in a detention center. At the detention center Tobio meets tough dreadlocked Ryuhei Onizuka (Yusuke Kamiji) who has an uncanny knack for comedy. Tobio attempts to recruit Ryuhei to become a partner in a new comedy duo. Once on the outside, they start practicing ...

Before he hit it big, Takeshi Kitano got his start apprenticing with comedy legend Fukami of Asakusa. But as his star rises, his mentor's declines.

Tsukaguchi, a comedian, is disliked by the public for his bad behavior and vile style, and shows no signs of selling at all. He and his partner, Kunimatsu, spend their days doing MANZAI (comedy dialogue) at a small theater. One day, the two receive an offer to appear on TV. However, Tsukaguchi has a big problem with his girlfriend, and in the midst of the mixture of reality and delusion, he soon finds himself involved in an irreversible situation as a comedian.

Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member who then follows him like a puppy, and is chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money.

Seven men, after getting acquainted in prison and finding out that all of their lives have been affected by the same con man, decide to raid the fraudster's life savings.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

If you get the chance to fulfill your lifelong dream, you shouldn't hesitate for long and must seize the opportunity. That's how idealistic midwife Irene Lieblich sees it. Her big dream is to open her own birth center. She has already found the perfect place for her project: a beautifully situated property on the outskirts of a picturesque Bavarian town. It all seems like a sure thing - the application has been submitted to the local council, the building finance is secured thanks to an unexpected inheritance and Irene has already rented a small terraced house for herself and her nine-year-old daughter Katja. But then, to Irene's horror, another interested party turns up for the property: funeral director Siegfried Schroff. He also wants to fulfill his dream of opening a private cemetery in this rural idyll.