Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Rather pointless, rather stilted, fetid; not what we want us going after.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

A psychedelic montage of home movie footage gives way to a silent western story.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

1 minute experimental film.

Return to 'burn' only to find out you're already in that urn.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

Radical recurrences & rancorous requests raze my daze.

Onward, upward, greener [redder] grasstures.