Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.

Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains documents worth a lot of money. So he begins an adventurous trip to regain possession of the chair. On the way he meets many strange people who would like to help or to swindle him.

Professors Vooshka and Crump decide to visit an archaeological site to study the artifacts there. Lo and behold, it's right next to a caravan site where all manner of people are staying. With a randy Major owning the site, a snobbish mother, and the two professors' constant innuendos, the story ends with a sinking caravan site and a striptease performance as a replacement for the cabaret night.

Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea, so when they decide to take them on a holiday to Paradise Camp, they think they're off to a nudist colony—but they couldn't be more wrong, and meet up with the weirdest bunch of campers you can imagine.

A group of holidaymakers head for the Spanish resort of Elsbels for a 4-day visit. When they get there, they find the Hotel still hasn't been finished being built, and the weather is awful. And there is something strange about the staff—they all look very similar. To top it all off, the weather seems to be having an adverse affect on the Hotel's foundations.

A member of the English upper class dies, leaving his estate and his business to an American, whom he thinks is his son who was lost as a baby and then found again. An Englishman who thinks he is an Indian comes to believe that he is actually the heir. He comes to hate the American who is his boss, his friend, and the man who has stolen the woman after whom he lusts.

Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.

With the occasion all but overshadowed by her sister's upcoming wedding, angst-ridden Samantha faces her 16th birthday with typical adolescent dread. Samantha pines for studly older boy Jake, but worries that her chastity will be a turnoff for the popular senior. Meanwhile, she must constantly rebuff the affections of nerdy Ted, who is unfortunately the only boy in school who seems to take an interest in her.

A gang of thieves plan to make their fortune by stealing a shipment of contraceptive pills from Finisham maternity hospital. They assume disguises and infiltrate the hospital, but everything doesn't go according to plan. The hypochondriac consultant Sir Bernard Cutting, Matron and the doctors and nurses at Finisham have a habit of getting in the way.

Bertram Oliphant 'Bo' West wants to clear his unjustly smeared reputation, so he joins the Foreign Legion—with Simpson his manservant in tow. But the fort they get posted to is full of eccentric legionnaires, and there's trouble brewing with the locals too. Unbeknown to Bo, his lady love has followed him in disguise.

Henry VIII has just married Marie of Normandy, and is eager to consummate their marriage. Unfortunately for Henry, she is always eating garlic, and refuses to stop. Deciding to get rid of her in his usual manner, Henry has to find some way of doing it without provoking war with Marie's cousin, the King of France. Perhaps if she had an affair...

From the co-founder of Slamdance comes the story of a young man who returns home from a trip abroad to confront not just his peculiar family and friends, but also a pair of Colombian jewel thieves and a roving gang of Iowa kickboxers, culminating in a showdown at Carhenge. A seminal movie in the history of independent film, "Omaha: The Movie" was the film that spearheaded the birth of the Slamdance Film Festival.