As a young girl, the exiled princess Laya was forced to leave Hawaii and was raised in France. She discovers that she looks like the Parisian revue star Suzanne Provence and decides to return to her homeland incognito, disguised as Miss Provence. She is accompanied on her journey by the famous clown Jimmy Boy.

Rolla, the Count's daughter, meets István Baracs, a railway engineer, at the village fair and they become very fond of each other. Of course, the count's family would never agree to the marriage, they would only let a noble groom into their house. However, the engineer's valet, Miksa, and the Count's butler, Marcsa, really know how to settle affairs of the heart.

In the story, Ivan Baracs seeks revenge by shaming his noble friends. He dresses his groom, Misha, in a tailscoat and introduces him into society as Count Tasziló. Mishka's fiancée, Marchesa, the dishwasher girl with the palms of her hands, becomes Countess Mary... The interesting thing about Mishka the Magician is that it is one of the rare pieces of operetta literature in which the dancer-comedian and the sub-radio play the leading roles.

Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member who then follows him like a puppy, and is chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money.

Seven men, after getting acquainted in prison and finding out that all of their lives have been affected by the same con man, decide to raid the fraudster's life savings.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

If you get the chance to fulfill your lifelong dream, you shouldn't hesitate for long and must seize the opportunity. That's how idealistic midwife Irene Lieblich sees it. Her big dream is to open her own birth center. She has already found the perfect place for her project: a beautifully situated property on the outskirts of a picturesque Bavarian town. It all seems like a sure thing - the application has been submitted to the local council, the building finance is secured thanks to an unexpected inheritance and Irene has already rented a small terraced house for herself and her nine-year-old daughter Katja. But then, to Irene's horror, another interested party turns up for the property: funeral director Siegfried Schroff. He also wants to fulfill his dream of opening a private cemetery in this rural idyll.

a film by Tony Y. Reyes.

Divorced and single bailiff Carla Schön has many problems with her pubescent daughter Eva. However, she cannot use these problems because she has to work in her everyday life. Even in her hobby, orchestral playing, she is absolutely tense. But then she meets the musician Andi Jannings and falls in love with him. He is a dry alcoholic and is in constant dispute with his ex-wife. To make matters worse, he is also a caretaker at Eva's school. Torn between her new love and daughter, Carla soon finds that her next job has to do with Andi. He has money problems and, accordingly, has not made any maintenance payments to his ex-wife.

Swinging playboy Grand Duke Nicholas Goduno, a direct descendent of the Romanov family who were overthrown in the Russian Revolution of 1917, learns that his family's crown jewels will be exhibited at a London museum and plots to steal them. To this end, he gathers a crew of beautiful but dangerous women, led by Bridget Rafferty, to assist in his plot against Popov, the Soviet functionary in charge of the exhibit.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.