John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nelsons makes a distinguished Royal Opera House debut, does full justice to Puccini's masterpiece. Recorded 2009.

In order to fulfill the "rehabilitation" imposed upon him and save people from the wicked desires of the world, the protagonist becomes a Phantom Thief of Hearts, but how will he change the hearts of corrupt adults? While this story overflows with mystery and thrills, there's also exhilarating action and a sensitive depiction of the psychology of a group of young men and women as they forge deep bonds of friendship and grow together as people. This is the first installment, performed in December 2019.

Discovered by an eccentric ballet master, two gifted but underprivileged Mumbai teens face bigotry and disapproval as they pursue their dancing dreams.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.

Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

A storm rages and, in the darkest part of the night, a body is pulled from the swirling river. Across the city, two young women confront an uncertain future.

Fearless and unforgettably creepy. This high-concept production, filmed live at London’s Donmar Warehouse, stars the formidable talents of David Tennant and Cush Jumbo in Shakespeare’s most infamous tragedy.

A young man seems to be dreaming of a reality different from the business he is about to take over and the married life that goes with it; he is drawn to the spicy life of a queer vaudeville troupe performing in his village.

It portrays the tumultuous life of a middle-class couple and the reshuffling of relationship dynamics when the woman's young assistant and their landlord become involved, presenting urban life as observed by Yang through a multitude of rapid dialogue.

The family home is more than merely a building. It can be a destination of pilgrimage, an inherited investment, a repository of memory or even magic. And, for brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they're doing just fine. That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble.