A betrayed wife begins to investigate her husband’s mistresses. Her jealousy is gradually replaced by curiosity.

The classic tale of a loveable, outcast hunchback and the gypsy girl he adores is transformed into a musical, warmhearted animated classic in this delightfully updated version of a stirring masterpiece.

A young girl buries in her soul a memory of a painful moment, when as a child she brought home an injured bird and her father burdened by his own weight of worries didn’t notice her feelings and longing for understanding. The girl took her father’s reaction as indifference and closed herself in her inner world longing for her father’s love and its manifestations. Since that moment she and her dad continued to grow apart, and as an adult she is no longer able to accept his endearments. The father suffers from guilt and searches for a way back to his daughter, trying to revive their lost relationship.

Sara helps her little brother Tomas to overcome his fear of the monster under the bed, but it is harder to protect him from his violent and authoritarian father.

‘There’s a Big Bad Wolf’ was based on the wonderful poem by Blue Peter Amazing Authors competition winner Phoebe.

Twin Blood is an alternate version of Blade and Evil's first battle, with drastically different character and mecha designs from the rest of the series. Blade/D-Boy does not need Pegas to transform and the armor more closely resembles the Radam humanoids from Tekkaman Blade II.

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

On a cold morning, a curious kitten and a venturous puppy decide to embark on a furious sled experience. The puppy takes the lead, while the cat follows along. The adventure, however, brings some unfreezing surprises.

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.

Three surreal depictions of failures of communication that occur on all levels of human society.