Cécile, Annette, Yvonne, Émilie and Marie, the Dionne Quintuplets, turn five years old and have a private birthday party in their garden. Other than the five little French-Canadian princesses-of-the-world, the attendees at the party for the sheltered sisters are their doctor-and-mentor Roy Dafoe; a priest and two nurses; radio's "Town Crier" Alexander Woollcott; and RKO-Newsreel cameraman Harry Smith.

In 1934, Elzire Dionne delivered five identical girls. The Dionne Quintuplets follows Cecile, Emilie, Marie, Yvonne and Annette through twenty-one years of strange upbringing. When the girls were just infants, the premier of Ontario issued a court order removing them from parental care. Cut off from the world and their family, over-publicized, viewed twice daily in a special viewing compound, they grew up as prize exhibits. Director Donald Brittain uses old newsreel footage, home-movie sequences and interviews to depict a historic event that became a tragic exploitation of a family.

A publicity-minded French mayor reunites quintuplets and their earthy father, all six played by Fernandel.

A doctor has a rough time obtaining the money for his services in a lumber town until he delivers quintuplets.

Newspapers around the world proclaim the birth in Moosetown, Canada of the 3,000th baby brought into the world by the doctor, John Luke, known for delivering the famous Wyatt quintuplets. To honor the doctor on his retirement and to publicize their town, the Moosetown chamber of commerce decides to hold a reunion of all the babies delivered by the doctor, some of whom have become famous.

The novelty shop owner has gone home, and that means it's time for its items to animate and have fun.

A teenager goes to desperate lengths to get attention when her mother gives birth to quints.

Rival reporters compete to sign the Wyatt Quintuplets to be guests on their radio shows.

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

Lot Lizard is a feature documentary about truck stop sex workers in America. There are three million truck drivers and thousands of truck stops throughout the United States. Many of them are frequented by sex workers who truck drivers refer to as lot lizards. The film follows Jennifer, a recovering sex worker who is trying to get her life back on track, Bobby, a man struggling to come to grips with his girlfriend's livelihood, and Betty, an aging sex worker who makes no apologies for her lifestyle. These intimate portraits hint at a broader story about America, how it deals with its 'derelicts,' and how we are implicated as consumers.

Goodbye Tornio is a vivid depiction of being young, fearlessly following your dreams and figuring things out on your own as you go. Eighteen-year-old Vilma celebrates her graduation from high school, with toasts from loving parents and parties with best friends, before leaving her hometown in Lapland and moving to the big city.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.