Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.

Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.

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More New Wave Hits from the 80s China Crisis– Black Man Ray Heaven 17– Temptation Duran Duran– Save A Prayer Culture Club– Do You Really Want To Hurt Me Kim Wilde– Cambodia Kajagoogoo– Too Shy Spandau Ballet– Only When You Leave Ultravox– Vienna Climie Fisher– Rise To The Occasion Living In A Box– Living In A Box Jesus Loves You– Generations Of Love Thomas Dolby– She Blinded Me With Science Marc Almond– Tears Run Rings Dexy's Midnight Runners*– Geno Go West– We Close Our Eyes Hue & Cry– Looking For Linda Fun Boy Three– Tunnel Of Love Human League*– Human

One of the defining pop groups of the 1980's, the ebullient duo Wham! were chart toppers and award-winners. With their straightforward, infectious dance pop, members George Michael (who went on to become a very successful solo artist) and Andrew Ridgeley became two of the first MTV bred superstars. THE BEST OF WHAM! takes a comprehensive musical look at their illustrious career, and features their historical concert in China (the very first by a Western pop group) and their farewell concert at Wembley Stadium.

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Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.