
Die Kinder aus Nr. 67
Drama
Overview
The "Our Gang" type adventures of German working class kids from a Berlin apartment building (number 67) during the early 1930s. With Nazism's rise, however, their tight-knit group unravels. One leader, Paul, becomes a Nazi.
Top Cast
Bernd Riedel
Bernd Riedel
Erwin
Bernd Riedel
Erwin
René Schaaf
René Schaaf
Paul
René Schaaf
Paul
May Buschke
May Buschke
Miriam
May Buschke
Miriam
Juergen Frei
Juergen Frei
Willi
Juergen Frei
Willi


Peter Franke
Peter Franke
Vater Richter
Peter Franke
Vater Richter


Elfriede Irrall
Elfriede Irrall
Frau Brackmann
Elfriede Irrall
Frau Brackmann
Johanna Karl-Lory
Johanna Karl-Lory
Witwe Weyermann
Johanna Karl-Lory
Witwe Weyermann


Barbara Morawiecz
Barbara Morawiecz
Frau Marnasse
Barbara Morawiecz
Frau Marnasse
Hagen Mueller-Stahl
Hagen Mueller-Stahl
Herr Bartel
Hagen Mueller-Stahl
Herr Bartel


Tilo Prückner
Tilo Prückner
Herr Brackmann
Tilo Prückner
Herr Brackmann
Similar Movies

Sunny is the singer of band trying to establish itself in the music-scene of East-Berlin. They play regular gigs in small towns, but Sunny feels out of touch with the audience and her life as a whole. She begins a relationship with the amateur saxophonist and studied philosopher Ralph who writes her a very personal song - but his obsession with death and unfaithful lifestyle is not for her. After getting into a quarrel with a band member who harasses her and telling off a show-host she is thrown out of the band. Abandoned, she struggles to regain control over her life.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.


















