The Great Gatsby: Midnight in Manhattan
Documentary
Overview
The Great Gatsby: Midnight in Manhattan looks at the story’s origins, the roaring 1920s and F. Scott Fitzgerald‘s interest in writing. It looks at the life and dark creative side of Fitzgerald, his disappointing college days at Princeton, his difficult relationship with fellow author Ernest Hemingway and his turbulent last days in Hollywood.
No cast information.
Similar Movies

On the outskirts of Augusta lives Orazio: a mechanic by vocation. Due to countless misadventures he cannot open a workshop. To give vent to his anger, he transforms mopeds and scooters into “glittered motorized umbrellas.” Glitter helmets and hyper-colored decorations dress him up; thus begins his passion for “light” understood as a superior force.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.















