A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.

Shortly after moving to the suburbs, the Kobayashis start to come undone. Convinced a family curse is at the root of their erratic behavior, the man of the house takes it upon himself to course-correct before it takes the last of their sanity.

A demonic reincarnation of a Japanese general from the 10th century appears in the early 20th century Tokyo with a mission to destroy the blooming city.

Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.

Amagi Goe, based on Seicho Matsumoto's novel, has created numerous stars through its visualizations. Erika Ikuta will take on the difficult role of the main character in this adaptation.

The story of Osamu Dazai, one of Japan's most celebrated novelists, absorbed in alcohol and love; married and in a relationship with two other lovers.

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Two brothers start working as benshi narrators of silent films in a cinema in the early 20th century. This premise is the jumping-off point for an epic family saga that follows the protagonists and their descendants through wars and technological developments.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

This is the sixth film in the Brutal Tales of Chivalry series

The ninth and final film in the Contemporary Tales of Chivalry series.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.