Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.

The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

This ceremony requires greenbacks but the groom came up short.

As an entomologist and all-around wimp, Orlando Winthrop gets little respect from his wealthy parents. But when business needs to be taken care at the Winthrop sheep ranches out West, Orlando is raring to go. Upon his arrival, the ranchers see Orlando as an easy mark, but it turns out they're wrong. They try to take Orlando's money in a poker game -- and wind up broke themselves.

When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.

After graduating from a convent school, Betty travels to New York to visit her relatives, the Hastings. She quickly catches the eye of Jim Denning, a wealthy neighbor who proposes to her, but Betty decides to experience city life before settling down and finds work as a salesclerk. When the floorwalker becomes too familiar, Betty quits and her showgirl friend Maizie Follette helps her get a job as a cabaret dancer, but Betty finds that’s a tough racket too and decides city life on the loose isn’t for her.

Young Frederica Calhoun, naïve to the ways of the world, having grown up on her father’s Montana ranch, is swept off her feet by the arrival of Lord Cecil Grosvenor, a prospective buyer. He opens her eyes to a hitherto undreamed-of world of refinement and he by her unfailing sweet disposition and sunny bubbling good spirits. They are soon engaged, but during a trip to New York to visit his sister Frederica begins to let her doubts get the better of her and disguising herself as a man follows him to the French Ball, but all turns out well in the end.

Because of the circumstances of her parents' marriage her grandfather rejects their child, Mary. Following her their deaths she is placed in an orphanage where Mary finds hardship.

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

"A comedy drama of New York life of a restaurant proprietor and it's a scream from start to finish." - Sheffield Observer, 03/28/1929

Helene Palmer and her husband Orrin have grown apart, and she becomes infatuated with bachelor Edward Wadsworth. With the outbreak of World War I, Orrin and Edward enlist, while Helene works as a Red Cross nurse in a small French town. Edward is wounded on a dangerous scouting mission near the town and Orrin carries him to safety. The enemy invades during the night, and Orrin rescues Helene as she is about to be overpowered by a German officer. The dying Edward, morally strengthened by his experience as a soldier, encourages the couple to reunite. Soon after, peace is declared.