One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

A woman attracts the attention of a psychotic former Army interrogator and an emotionally fragile young man caring for his ailing mother.

Fresh off a winning case that brought her unwanted internet fame, a rising ADA learns of the district's most respected judge allegedly assaulting her best friend. She starts a case but is surprised to be met with resistance by the district attorney who mentored her, her best friend who questions the system and her motives, and the judge himself who knows her own dark secret.

A painter gets infected by AIDS, and finds himself at disease clinic in Belgrade. He shared the hospital room with an ex-musician, junkie who tries to discontinue treatment and returns home to his wife. The painter believes in recovery through his paintings, believing that they have supernatural powers. In their room, the medics bring a boy suspected to be infected with the AIDS virus. Meanwhile, the musician's wife leaves him. Having desire for revenge, high on drugs and labile, he rapes nurse. The painter's health deteriorates and he dies. Shortly afterwards, the musician commits suicide. Only the boy remains in the room - a child of uncertain fate and in possession of dozens of "totemic paintings".

Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.

Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.

Gai Nhay ("Bar Girls") is the story of how the other half lives, with a twist. Southeast Asia being known for the multitude of bar girls ready to be "borrowed" for a (usually quite cheap) price, the life these girls live--and the motivations and tribulations that lead them to it--are usually hidden to their oblivious clientéle.

It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.

Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.

Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.

Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.

When fifteen year old Mercy faces the unimaginable, her courage and resilience come to the fore. What could have been the end of her story is only the start of a new journey.