
L'ami
Drama · History
Overview
The movie follows Elia da Cortona, one of the most faithful followers of St. Francis, from 1209 to 1226.
Top Cast


Elio Germano
Elio Germano
Francesco
Elio Germano
Francesco


Jérémie Renier
Jérémie Renier
Elia da Cortona
Jérémie Renier
Elia da Cortona


Alba Rohrwacher
Alba Rohrwacher
Chiara
Alba Rohrwacher
Chiara


Stefano Cassetti
Stefano Cassetti
Bonizzio
Stefano Cassetti
Bonizzio


Thomas Doret
Thomas Doret
Étienne
Thomas Doret
Étienne


Yannick Renier
Yannick Renier
Dominique
Yannick Renier
Dominique


Éric Caravaca
Éric Caravaca
Leone
Éric Caravaca
Leone


Marcello Mazzarella
Marcello Mazzarella
Fra Rufino
Marcello Mazzarella
Fra Rufino


Olivier Gourmet
Olivier Gourmet
Cardinal Hugolin
Olivier Gourmet
Cardinal Hugolin


Catherine Chevallier
Catherine Chevallier
Clarisse
Catherine Chevallier
Clarisse
Similar Movies

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there are condemned to unemployment and misery. Piaggio feels the enormous responsibility resting on his shoulders: the lives of so many families depend on his ability to create new jobs. A project is born in the mind of the entrepreneur: a small, robust, agile and affordable means of transport, capable of relaunching mobility, giving impetus to the recovery of the country’s economic and civil life. To make this dream come true, Piaggio turns to engineer Corradino D’Ascanio, a brilliant designer who uses the experience gained in the field of aeronautics to create the scooter that remains today the symbol of Italian creativity and design: the Vespa!

At the age of forty Dame Margot Fonteyn is considered to be past her best as a prima ballerina and Ninette de Valois is reducing her roles at the Royal Ballet. Then the exciting young Russian dancer Rudolf Nureyev, a recent defector to the West, comes into her life and her bed and revitalizes her career. Frederick Aashton creates a new ballet for them and they become the golden couple of the ballet world. However, Margot is married to Roberto 'Tito' Arias, a Panamanian politician of dubious repute who is not sympathetic to her calling and is probably faithless. When he is shot and paralyzed for life Margot must carry on dancing well into her sixties in order to pay for his costly treatment though she still collaborates with Rudolf in the occasional ballet.




















