A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.

An educated, upscale young black musician marries a woman from a lower socioeconomic class to get her out of the clutches of her stepfather.

A snowboarder, whose career was interrupted by an injury, meets a determined pianist who inspires him to pursue his Olympic dreams.

Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.

Seoul, South Korea, September 21st, 2008. Eight citizens, the first to intervene as jurors in the country's legal history, are randomly selected to examine a matricide case that appears to have been resolved due to the existence of apparently conclusive evidence.

Denmark, in the near future. One year after a major bomb attack in Copenhagen, political radicalization has intensified and ethnic tensions are increasing. As next year's parliamentary elections approach, in which nationalist leader Martin Nordahl hopes for a landslide victory, Zakaria becomes involved in a radical organization, where he befriends Ali.

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered—leading to what may be his death trip or his awakening.

Sunday at Il Posto Accanto is a deeply personal, hybrid film blending documentary techniques with narrative storytelling. Set in a beloved East Village restaurant during the early days of reopening after the pandemic, it stars Victor Rasuk, Danny Hoch, and the real people who made the place a sanctuary for community. At once funny and poignant, the film is a meditation on grief, resilience, and the small rituals—both absurd and sacred—that keep us connected. It’s rich with character, brimming with the kind of imperfect charm only real life can deliver. Il Posto is about a neighborhood, a family—chosen and otherwise—and the quiet beauty of coming together after isolation. Made on a modest budget with a lot of heart, it captures a moment in time when the simple act of gathering felt nothing short of holy.

Javi and his mother are in front of the hospital with a suitcase for staying there for a few days. She’s just suffered a mild schizophrenia episode, but she feels good and she doesn’t want to go in. Javi wants her to enter the hospital voluntarily. Two people with a common enemy, but with opposing goals. Who will win?

A Korean-American man cares for his ailing mother and tries to master her traditional Korean dishes.

Jules, 18 years old, reluctantly spends his holidays in the naturist campsite of his childhood. He is torn between his attraction for the beautiful Karim, a seasonal worker on the textile beach, and the depression of his mother Adèle, who refuses to let him grow up.