
Red Maria 2
Documentary
Overview
Korean sex worker Yonhee goes to Japan to build solidarity with her counterparts there. YAMASITA Youngae heads for Kyoto to give a lecture on how former prostitute-turned-comfort women were left out of the movement to achieve justice for comfort women. Korean professor PARK Yu-ha is sued by former comfort women because of her book Comfort Women of the Empire. Reportage writer KAWADA Fumiko Tells the story of BAE Bonki, a Korean who worked as a comfort woman in Okinawa. Shuttling between the issue of sex workers who refuse to be pictured as victims and the issue of comfort women who couldn’t even be acknowledged as victims, the film reveals stories that had disappeared from official memory.
No cast information.
Similar Movies

Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.

Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.

This documentary celebrates the life of former President Kim Dae-joong, who fought for democracy in South Korea and peace in the Korean Peninsula. It marks the 10th anniversary of his passing and covers his challenging journey, from his childhood on an island to his imprisonment, exile, near-death experiences, and ultimately becoming the president.

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.












