Major crimes unit detective Seong-jin arrests Tae-sung for petty crimes, but shocked to find out that he is the notorious serial killer. However, Seong-jin becomes doubtful of his identity as the serial murder case is investigated.

On Haeundae Beach, a guilt-ridden fisherman takes care of a woman whose father accidentally got killed. A scientist reunites with his ex-wife and a daughter who doesn't even remember his face. And a poor rescue worker falls in love with a rich city girl. When they all find out a gigantic tsunami will hit the beach, they realize they only have 10 minutes to escape.

Dae-gil has been skilled with his hands and has shown a strong desire for winning ever since he was a child. He will succeed his uncle and jump into the world of Tazza, risking his life in competition.

Hwa-ja has been raising three daughters alone in Busan after her husband passed away. One day, the second daughter Hye-young comes back to Busan after having continuous setbacks in Seoul. While spending time with her mom, she accidently sees a letter written in Japanese, which triggers her curiosity. She starts to ask Hwa-ja about her past life and gets to know new stories of her mother that she had never heard of.

Busan, South Korea, 1970s. Lee Doo-sam is a small-time smuggler. After helping a drug gang to smuggle meth, he falls into the dark crime world. Quick-witted and full of ambition, he eventually takes over the drug underworld and starts to lead a double life: a good community leader during the day but an infamous drug lord during the night.

Duk-soo lost his father and younger sister while taking refuge during the Korean War. He leaves for Germany to work as a miner and enters the Vietnam War. He wishes to find his sister.

On his way to work, a bank manager receives an anonymous call claiming there's a bomb under his car seat, and if anyone exits the car, it will explode unless he can pay a ransom.

A wily safecracker is forced to help a mob boss pull off a $150 million heist, but smells a double-cross in the works.

Sun-hwa is a location manager in Busan who scouts locations for film shoots. She's always loved her work and her city. One day, she joins a new project out of the blue. But as soon as she walks through the door, she recognizes the director immediately. It's Do-young, her ex-boyfriend who left her and went to Seoul to fulfill his dream. They were lovers in the past but now Sun-hwa has to face him as a business partner. To make things worse, all he says is "NO!"

Lives are changed and friendships tested when two bottom-feeding smugglers are ordered to kidnap the daughter of a wealthy Korean businessman and bring her to Japan. The duo has sacrificed so much for their respective families - now is their big chance to get even with the system.

After graduating from university, Il-ryeong goes back to his hometown, a small village beside the Nakdong River. Ok-nam is his lover and a teacher in his hometown. He cooperates with her in order to enlighten the people and to improve the village. Nakdong River is, along with The Street of Sun (1952) and A Bouquet of Thirty Million People (1951), one of the important films made during the Korean War that the Korean Film Archive has rediscovered and made available to the public.

So-yeon, who has been studying in Paris for several years, returns to Seoul for summer vacation. She is drawn to Min-hwan, a divorced man whom she met in Paris, but Min-hwan is non-committal and ambiguous about his feelings toward her. Soyeon meets a new guy, Hyun-jae, who is deeply into her, she Soyeon still waits for Min- hwan`s call. She laboriously travels from Seoul to Busan, lugging around her luggage, just so that she can see Min-hwan. After the vacation is over, So-yeon returns to Paris. Even with a full package of beauty and intelligence, So-yeon has no place of her own. In Korea that is familiar but unfamiliar land to her, she spends the summer in bearing her feeling, which is not too hot, yet not negligible. Before the Summer Passes Away is the film about loneliness and longings: it is too shy to roar, too powerful to hide. With minimal narrative, the film shows a close observation on So-yeon`s sense of lose at the edge and her unending desire.