After eloping with a prostitute named Otoyo, Hishakaku takes refuge in the Kogane family’s turf. Indebted to Boss Kogane for his kindness, Hishakaku swears to dedicate himself to protect the Koganes in time of crisis. Hishakaku’s humble life comes to a sudden halt when the Kogane family becomes involved in a fatal feud with their rival, and Hishakaku’s services are called upon.

This literary adaptation was one of only two films made during World War II on the subject of the Civil War following the Bolshevik Revolution, as attention by filmmakers and viewers shifted away from past history and toward the current conflict.

While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her husband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm.

Ichiro’s family used to be a large landowner, but now he is living in poverty with his mother. His mother works hard to get her son through school. Under such circumstances, Ichiro meets Wakako, the daughter of a wealthy man, and they fall in love with each other, but they are opposed by those around them because of their different social status.

During the Taisho era of 1918, 17-year-old Benio Hanamura thrives on bucking tradition. As a boisterous and quarrelsome tomboy, Miss Hanamura leads a life of kendo and tree-climbing adventure with her best friends Tamaki and Ranmaru. Benio determines to find love on her own, though her family has other plans. Benio will encounter tests of love, independence, and friendship during wartime.

Sidney and Dre can attribute their lifelong friendship and the launch of their careers to one single childhood instant... witnessing the birth of hip-hop on a New York street corner. Now some 15 years later, she is a revered music critic at a national magazine and he is a successful, though unfulfilled, hip-hop record company executive. Both come to realize that their true life passions will only be fulfilled by remembering what they learned that day on the corner.

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

Veteran filmmaker Nobuhiko Obayashi rounds out the second of his two trilogies about his hometown of Onomichi with this film about the budding relationship between a young lad and an eccentric old man. Fifth-grader Yuta (Takuro Atsugi) is a typical city child looking forward to a summer of reading comic books and playing video games. Instead, he is bundled off to his grandparent's house on the Inland Sea. His grandfather, Yuta's parents explain, has been acting strangely as of late -- he eats the offerings in the family altar and once tried to lead attendants at a funeral in a rousing round of calisthenics. Since his mother and father are swamped with work, and his elder sister (Nana Sano) is studying for college entrance exams, Yuta has been asked to look after Grandpa. The old man takes Yuta on a tour of Onomichi, regaling him with 70 years of its history. Along the way, Grandpa slips in and out of the past, increasingly unable to discern between the two.

Based on the true story of the Bandō prisoner-of-war camp in World War I. It depicts the friendship of the German POWs with the director of the camp and local residents at the stage of Naruto, Tokushima Prefecture, in Japan.

An unhappy young woman from an abusive family is married off to a fearsome and chilly army commander. But the two learn more about each other, love may have a chance.

Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.

The year is 1917. We are in the Russian countryside. It is the middle of freezing winter. A pale young, newly educated doctor arrives. Having to deal with one medical challenge after another he soon becomes the center of everyone's attention. To soothe the impressions of human suffering he turns to morphine.