A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

Silent about two clumsy glaziers.

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

Out of the three-part burlesque, the only surviving one is the one called Pufi would buy a pair of shoes, with Hungarian inserts. The film is shot on a real-life location, in a Budapest shoe shop, and it portrays the mutual efforts of a puny sales assistant and Pufi, the bladder-of-lard customer, to find him a suitable pair of shoes. The content of the other two parts is not known.

Snub, the delivery man, and his assistant, Sunny, are returning from a delivery when they almost run over a lost woman. After she asks for directions, they accompany the woman to a dance school, where Snub is mistaken for the new professor.

Detective Dublin Dan pursues a gang of counterfeiters including the leader, John Forsythe, who just escaped from prison.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

The human pals of three apes become so attached to them that they take them to their home in the city where the apes prove too destructive to be really appreciative.