If Bugs Bunny were to direct his signature inquiry--"What's up, doc?"--toward the modern-day Warner Bros. creative team, he wouldn't be far off. For 1001 Rabbit Tales, they've doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here's the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids' book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam's pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who'd sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

Igor Ilyinsky reads Anton Pavlovich Chekhov’s stories “The Death of an Official”, “Over Salted”, “The Orator”, “The Night Before the Trial”, “The Daughter of Albion”, “Boots”, “Chameleon”, as much as performing a wide variety of characters.

A young couple, Ganga and Nakulan, arrives at the ancestral home called Madampalli of the latter. Hailing from a family that follows tradition and superstitions, Nakulan's uncle Thampi objects to the couple's idea of moving into the allegedly haunted mansion, which Nakulan ignores. The couple moves in anyway following which seemingly supernatural events begin to happen.

Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can forget her hilarious housekeeping and marriage tips, her beleaguered husband Fang, her cackling laugh and self-deprecating sense of humor? Phyllis Diller: Not Just Another Pretty Face highlights some of her best routines. Special guest stars such as Don Rickles and Dean Martin make this a fun trip back in time.

A Wayward Texas cowboy washes up on the beaches of Hawaii and is taken home by an fatherless boy. He saves the family's business while romancing the single mom.

War mobilization in 1939: the clumsy Läppli, a loudmouth and busybody, is imprisoned for anti-military speeches. When he is later promoted to officer's orderly, he continues his mischievous behavior. He acts without suspicion, comes across as slightly dim-witted, a silly simpleton, talks nonsense and, in his harmless naivety, repeatedly creates situations that make us laugh at the malice of chance or stubborn militarism. His environment, the officers' staff area, is portrayed with irony, but without malicious scorn.

Bum Archimède wants to spend the winter in prison, but to get there proves not to be that easy.

The love between two teenagers awakens.

Adaptation of classical Russian Nikolai Gogol's comedy.

Darman, his daughter Ida, and Slamet the servant, go into the woods to hunt. Ida was lost when Darman and Slamet are chasing a tiger. Ida ends up in Tarsan's hut. They become close though at first, Tarsan has problems speaking the Indonesian language. Then he agrees to go to the city and learn how to be an urbanite. It is not easy as he is even harassed by Ida’s friends who do not like him.

Fridolf's daughter becomes pregnant and Fridolf and Selma become strongly involved in this.

Chaudhary Karnail Singh is a 1960 Indian Punjabi movie based in the pre-partition times of India. The film was one of the earliest works of Prem Chopra. The film won a National Award. In a village circa post British rule in India, a noble Sarpanch, Karnail Singh, is forced to chose sides between his son, Buta, and a Muslim couple, Shera and Naji, who want to get married amidst violent clashes between Hindus, Sikhs and Muslims before the formation of Pakistan; as well as deal with suspicious Indian Government officials.