Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.

Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

Black marketeers Marko and Blacky manufacture and sell weapons to the Communist resistance in WWII Belgrade, living the good life along the way. Marko's surreal duplicity propels him up the ranks of the Communist Party, and he eventually abandons Blacky and steals his girlfriend. After a lengthy stay in a below-ground shelter, the couple reemerges during the Yugoslav Civil War of the 1990s as Marko sees the opportunity to exploit the situation.

The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.

On Saturday, 5 April 1941, one day before the Invasion of Yugoslavia of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstic senior, and driven by his impressionable and dim-witted son Misko.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

A flat broke aging boxer, living on the verge of existence, teams up with the equally desperate people in the city's suburbia to steal, cheat, and even kill for the money.

In the suburban environment of 1960s Belgrade, thieves and vagabonds were first who escaped from poverty, while simple individuals who believed in ideals, paid a costly price for their misconceptions. Life is very difficult to a family of a pilot who spent 14 years in prison on the basis of false testimony. Her husband's prosecution is his wife's fate, while his daughter doesn't even know that her father is alive. After many migrations and wanderings, the mother meets a soft-spoken yet unscrupulous man who'll promise her marriage, and rape her daughter. The mother eventually ends up at asylum, and the father returns from prison at the right time to help their daughter in life which crucial lessons she already mastered.

The film follows three young people from Belgrade, a city that offers nothing but pragmatism and not many life opportunities.

Swan is a lonely Serbian refugee in Belgrade. He hopes for a visa to follow his long-lost fiancée to Chicago, but winds up at the Happy Millennium dating agency. A warm romantic comedy with a twist.

A documentary about the famous athlete and movie enthusiast who made Serbia's first sound film, Innocence Unprotected. The Nazi occupation of Belgrade prevented the film from gaining wider acclaim. Director Makavejev intersperses clips of the original film with interviews of surviving cast and crew members, as well as newsreel and archival footage.