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In 1985 Dame Shirley Bassey gave a performance to help raise money for the 1986 Commonwealth games that were held in Edinburgh in Scotland. Dame Shirley sang four songs: Nobody does it like me, Arthur's theme, You ain't heard nothing yet and This is my life.

Guitarist Rodolphe Burger and multi-instrumentalist Julien Perraudeau pay tribute to Kraftwerk by reinterpreting the entire album "Radio-Activity." A performance of the third kind, given before the audience of the C'est dans la vallée festival. Recorded on October 9 at the C'est dans la vallée festival in Sainte Marie aux Mines, Alsace.

This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.

Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

A portrayal of the moral history of sex in the course of human history.

Virginia is taking a class at film school, and has decided on her solo project for the class. She will secretly film herself and her ex-husband Marcelo with a candid camera while they make love.

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After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.

A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

Hendrix dreams of hip-hop greatness, but he’s spiraling down a rabbit-hole of crime and poverty until he meets Doc, an old poet still haunted by his martial law past. Can they turn each other’s lives around before they’re swallowed by their circumstance?