A group of Okinawan high school girls are drafted as nurses during the American invasion of the island. As the enemy army advances further, the situation for the girls becomes increasingly desperate as food and shelter run out and the number of injured climbs, leading to the film's tragic finale.

The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.

The Girls' Division of Okinawa Normal School and the First Okinawa Prefectural High School for Girls were also known as "Himeyuri no Gakuen". In July 1944, the students, who were supposed to spend their summer vacations at home, were called back to school to prepare for the coming war and to fulfill their duties as subjects of the Imperial State. The fate of the girls and teachers awaited them as the American army attacked.

The 30-minute film centers around a group of high school students who became nurses called Himeyuri and served during the Battle of Okinawa during World War II. The Himeyuri Alumnae Incorporated Foundation, which runs the Himeyuri Peace Museum in Okinawa, produced the film with the aim to convey the experiences of those high school students, many of whom lost their lives during the battle, to children.

A story about an adolescent years of Tyoma - a young boy from Russian countryside...

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Yonatan, Michal's dad, turned orthodox and left her family when she was very yang. 7 years later, when he appears at her mother's funeral, all the anger and tensions in the family are brought up again. Michal on the other hand, is very curious, and tries to find a way to communicate with her father. They find common interest in competitive swimming, a hobby that Michal picked up, and which her father, as it turn out, used to be a serious contestant in.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A princess in disguise, Oshichi launches an investigation to reveal the truth about the disappearance of young women in Edo.

When Ayumi Mastuda (Eiko Koike) worked as a freelance writer she met Chinese cameraman Gyoukou (Kingone Wang), who worked at the same publishing company in Tokyo. They married 5 years ago. After his employer's went bankrupt, Gyoukou and Ayumi Matsuda moved to Ishigaki Island. Gyoukou also decided to apply for naturalization as a Japanese citizen. In order to prove they are real married couple they have an interview at a local Bureau of Judicial Affiars branch. As the interview goes along, they find it more difficult than expected ...

A disillusioned young woman becomes a serial killer who targets wealthy land-owners, and a brilliant detective must use his unusual neurological condition to track her down.