Carlos reads a book, goes to a museum and climbs a hill. His interest in the view of the city is interrupted by an attractive young man from the capital.

A Latin American horror anthology where filmmakers from conjure shadows rooted in their land, their ghosts, and their history.

Luis, a private tutor, is invited to a family dinner at the fancy house where he works. What starts as a peaceful evening is soon overshadowed by the conflicts within this dysfunctional family. After a power outage, five masked youths break into the house instilling panic in the place. Luis tries to protect the family, but he quickly finds himself threatened by James, the most violent of the assailants, whose hidden motivations will challenge our understanding of justice.

Delphine, a disillusioned humanities teacher, makes an agreement with her students : they leave her in peace, as they get A+ grades. But these excellent results turn into a nightmare when the class is qualified for the Latin World Championships, in Naples.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

When a scheming fortune hunter finds his rich wife is not going to die as expected, he and his lover make other plans to get her millions.

Returning home to his native Puerto Rico after years away, 17-year-old Javi meets Luife and Kiki, two social misfits who flip his entire world upside down.

No description available.

An aging Latin lover gets dumped by his sugar mama and must fend for himself in a harsh world.

No description available.

CARO Vapor II is an exercise in imagination and a redefinition of what Brazilian popular music can be nowadays. From Rio’s samba jazz transported to the streets of Conjunto São Pedro in Fortaleza to Baião meeting the productions of the Neptunes, the artist understands old musical proposals as dreams of possible futures, pillars in the construction of a country whose work remains unfinished. Digging through these ruins and working their echoes in the present, he dares to envision another future. The exercises of imagining the past that haunt us have been exhumed and rebuilt. While this unfolds sonically, Don L’s pen reinforces: the Global South is what matters. Don scrutinizes the aspirations of what it means to be Latin American nowadays, in a world where virtually all experiences are heavily filtered by the internet and those in power. Territorial construction is also mental, provoking the listener by repeating, in new terms, the question: how much of your dreams was advertising?

The film depicts how the Church has adapted to the new security norms in the Covid-era, without renouncing to its rituals.