In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Debbie goes to Hell after committing suicide. Once there, she finds herself in the middle of a power struggle. The Devil asks her to get his horns back so that he can regain control of his realm.

A young woman raised in the US returns to her birth country in Eastern Europe after a devastating tragedy. Questioning her sanity and her sexuality, she starts believing she possesses supernatural powers.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

The Ohaion family is mourning the death of one of their relatives. In keeping with tradition, they gather together in the home of the deceased and stay there for seven days. Forced to put up with one another day and night, the brothers and sisters soon let their bitterness and arguments override the sense of communal reverence. The atmosphere becomes unbearable and long-buried truths finally surface.

Marta works for a poll company, listening all day to other people's dreams while leading a cold and solitary life. Having just cut off a long relationship, she tries an online sex chat under an alias, meeting a man who begins to advance more and more audacious requests, until they decide to discover their respective identities.

Mia returns from Stockholm to her parents' home in a small town in Dalecarlia (Dalarna) to celebrate her father's 70th birthday. Her elder sisters Eivor and Gunilla welcome her, but their different lifestyles prevent them from really communicating. The tension builds, and the party that should be a celebration turns out to be a turning point for the family and their friends

A man claiming to be Carol Brady's long-lost first husband, Roy Martin, shows up at the suburban Brady residence one evening. An impostor, the man is actually determined to steal the Bradys' familiar horse statue, a $20-million ancient Asian artifact.