A couple returns to Aghdam, the city they once fled 32 years ago due to the war. It's a story about memory held in people, and about the small, powerful ways the past resurfaces when you finally face it.

For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

He built the mightiest army in history and selected its leaders. Eisenhower, MacArthur and Patton all obeyed his commands. George Marshall was the only soldier ever to receive the Nobel Peace Prize.

The sinking of the German fleet interned at Scapa-Flow (Orkney Islands), June 21, 1919. We know that one of the stipulations of the armistice signed with Germany on November 11, 1918 was that that power's surface warships were to be "immediately decommissioned and interned in neutral or Allied ports, and remain there under the supervision of the Allies and the United States, guard detachments only being maintained on board". In fact, all the ships designated by the Allies - 11 battleships, 5 battlecruisers, 7 light cruisers and 50 destroyers - had, a few days after the armistice, been assembled in Scapa-Flow Bay, in the center of the Orkney archipelago, i.e. north of Scotland, and had remained there ever since, under the supervision of the English naval authorities, but under the effective authority of German Admiral von Reuter.

Tells the tale of Lithuanian post-war history.

This interactive infographic short documentary examines the human losses of the Second World War between 1939 and 1945 and the decline in battle deaths in the years since that most terrible war of human history. The 19-minute data visualization uses cinematic storytelling techniques to provide viewers with a fresh and dramatic perspective of a pivotal moment in history. The film follows a linear narration, but it allows viewers to pause during key moments to interact with the charts and dig deeper into the numbers.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.

A fascinating compilation of scenes showing diversity and disparity in 1940s China. The ancient Forbidden City and Great Wall are followed by Shanghai’s metropolitan skyline; primitive farming methods are juxtaposed with mechanised factories; children in rags are contrasted with models wearing the latest fashions; Nationalist commanders and Communist leaders vie for support.

Following in the footsteps of two women in search of their origins, this documentary lifts the veil on a little-known page of the post-war era: the adoption, as part of a cross-border program, of thousands of children born during the French occupation of Germany.

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