Air Force Major Lloyd Gruver is reassigned to a Japanese air base and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily, a by-the-book officer, Gruver must take a position when a buddy of his, an enlisted man, Joe Kelly, falls in love with a Japanese woman, Katsumi, and marries her. Gruver risks his position by serving as best man at the wedding ceremony.

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

Just after WW2, a romance between an innkeeper and a man with tuberculosis unravels near a thermal spring.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

In post-war Japan, Michiko, a disillusioned young woman trapped in a loveless marriage, confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

The day to day life in an establishment for delinquent teenage girls.

Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.

A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.

Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.