
Amma Ammayiamma
Drama · Family
Overview
Directed by Sandhya Mohan, and written by Siby K. Thomas and Udaykrishnan, Amma Ammayiamma is a 1998 Comedy/Drama film . Mukesh and Sukanya are starring, alongside Kaviyoor Ponnamma, Sukumari, Harisree Asokan and Innocent.
Top Cast


Mukesh
Mukesh
Shekharankutty
Mukesh
Shekharankutty


Sukanya
Sukanya
Prabhavathi
Sukanya
Prabhavathi


Kaviyoor Ponnamma
Kaviyoor Ponnamma
Sarada
Kaviyoor Ponnamma
Sarada


Sukumari
Sukumari
Visalakshi
Sukumari
Visalakshi


Harisree Ashokan
Harisree Ashokan
Premachandran
Harisree Ashokan
Premachandran


Innocent
Innocent
Bhargavan
Innocent
Bhargavan


KPAC Lalitha
KPAC Lalitha
American anty
KPAC Lalitha
American anty


Philomina
Philomina
Narayaniyamma
Philomina
Narayaniyamma


N F Varghese
N F Varghese
Kaimal
N F Varghese
Kaimal


Vijayakumar
Vijayakumar
Reghu
Vijayakumar
Reghu
Similar Movies

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

A group of friends – Petr, Anička, and Milan – decide to spend the evening in the city. They are all recent high school graduates, searching for meaning in the emptiness that now fills their lives. Together, they exist in a kind of intoxicating search for meaning, engaging in trivial conversations and trying to forget about the uncertain future ahead. Between Petr and Anička, however, hangs an unspoken affection, complicated by Petr’s divided stance. As the evening progresses and the alcohol loosens their inhibitions, Anička begins to feel an increasingly strong need to fill the emptiness of her life with something real...

A smooth-talking ad executive attributes his remarkable success with women to his ability to manipulate their emotions from the moment he first meets them. When his teenage nephew drops in for a visit, he soon learns that his approach isn't as foolproof as he thought when he attempts to teach the boy how to pick up women.

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

















